Browse Items (109 total)

Joëlle Tuerlinckx (b. 1958 in Brussels, where she lives and works) is a Belgian multi-media artist. Her works pose as archival materials. Her visual vocabulary includes books, display cases, wall installations, video screens, and (not least) the…

Carlos Bunga is a nomad. He creates process-oriented works in various formats — sculptures, paintings, drawings, performances, video, and above all in-situ installations that refer to and intervene in their immediate architectural surroundings. Over…

Michelle Stuart is an American artist. She studied in Mexico, France, and in New York at The New School for Social Research. Since the 1960s, Stuart has created a multifaceted body of work including large-scale earth works, complex multi-media…

Bea Parsons' practice is primarily focused on black and white monoprints, as well as coloured pencil drawings on archival paper. Her haunting and seductive world is filled with characters, landscapes, and symbols culled from a wide variety of…

Paul Sietsema’s work explores the conditions of artmaking in our era of instantly accessible information. Taking ordinary objects and images as his subject matter, he passes them through a series of material transformations. Sietsema’s process…

Stacy Lynn Waddell is best known for her innovative use of fire in a branding technique that destroys and reconstructs her materials. “Heat presented itself as a means of articulation,” she has said of her “tool” of choice, which she uses to scald,…

Fausto Melotti (Italian), worked with a wide variety of media including sculpture, ceramics, drawing, installation, and text. He is considered a pioneer of Italian art and is acknowledged for his unique contribution to the development of mid-century…

"By analogy, my experiences of working around stealth molding in the city stem from my practice and my experience of illegal graffiti. I act day and night. The target determines the form of the action, the game is strategic, I melt into the mass,…

My practice is based on the premise that, in order to generate form, it is necessary to expend energy. My performances, films, videos, objects and installations invariably make visible the efforts necessary for their realization – whether they are…

Cadu’s practice is marked by a transdisciplinary approach. Each project emerges from conceptual considerations and with no pre-selection of languages or techniques. The woks are influenced by characteristics related to systems, repetition, games,…