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Since the late 1980s, Tony Cokes has appropriated and remixed text, music, and documentary images into videos and installations that investigate the interrelations of politics, popular culture, race, and identity. At Dia Bridgehampton, Cokes presents…

Wilson’s work came into its own against the backdrop of the move past modernist and, to some extent, Minimalist idealism, a shift which primarily took place in the second half of the 1960s. While post-Minimalist practices of the era were trying to do…